starlady: Twitter quote: @magneto "come home" (my offer still stands)
What I'm Reading
G. Willow Wilson, Alif the Unseen - I'm falling behind on my Sirens reading challenge, but luckily this book is completely engrossing and even though I only started it this morning, I'm nearly finished. It's full of really smart observations as well as really interesting fantastical elements, and some really sharp things about politics. More when I'm finally finished, but this one is pretty great.

Urasawa Naoki, Billy Bat vol 1 - This is Urasawa's current series, and I'm kind of annoyed at how much it plays to my interests to be honest. I also really question why Urasawa has drawn all of the Japanese or Japanese-American characters with the exception of the current protagonist to look distinctly monkey-ish (it's even more noticeable given that the story opens in 1947). This may be a sophisticated point about representation or it may just be an oogie running bit. Anyway, it's Urasawa; of course it's good, though I'm not quite willing to commit to hauling home the other 15 volumes (it's still running).

What I've Just Read
Molly Gloss, The Dazzle of Day - Quakers in space! Except, well, this novel is actively trying to break the bounds of science fiction as a genre, and…I like science fiction as a genre. Well worth reading, but Joan Slonczewski is still first in my heart in terms of Quaker SF novels. (I've now read two of the four.) Partly that's because this is a very interior book, and Gloss gets at the Quakerism (and everything else) very indirectly, unlike Slonczewski, who puts her Quaker in conflict with or in contrast to other groups or even species.

Yoshinaga Fumi, Ôoku vol 11 & 12 - Immunology, gender, and power. I hope everyone's ready for what's looking to be a really grim ending. I'd estimate we have two and at most three volumes left. It's also interesting to me that Yoshinaga made the most incompetent shogun a hero for the sake of the narrative.

Arakawa Hiromu, Silver Spoon vol. 12 & 13 - Only Arakawa Hiromu could blow through an entire year of school in one volume (12) and make it feel totally fine in terms of pacing and character development. She also has a real sense of how to turn the tables on readers' expectations based on genre cliches: the team's performance at the national equestrian championships in 13 is a case in point. Sadly this series seems to be taking a bit of a backseat to Arslan Senki, but I still love it, and I'll be really interested to see where Hachiken and company wind up by the time they graduate. One thing I appreciate now that I didn't before I saw Bakemono no ko is how subversive it is--Hachiken chooses not to go to college even though he could, his brother fucking dropped out of Todai to be an independent Skype college exam tutor, Komaba drops out of high school to work odd jobs in Tokyo so he can buy a farm, Mikage only decides to go to college after she decides to not inherit her family's farm: and all of this is totally okay. That's very (and characteristically) independent-minded of Arakawa.

Bunn/Walta/Fernandez, Magneto: Infamous and Reversals - My one friend W handed me these two volumes of comics as I was basically walking out the door in Seattle on the grounds that I'm way more into the X-Men than he is, which is true, but in no way means I'm familiar with most of the comics except in broad outlines. Luckily this series, which picks up after Charles Xavier's latest death with Mags relatively depowered but still just as quick to perform vigilante justice (also bald, which I can't help but read as influenced by Charles), is actually pretty good at filling readers in on relevant events without info-dumping. The coloring is really striking, and though I thought the pacing was off at a few points in the second volume, overall the comic is asking some tough questions of just about everyone, including Mags himself, and not letting anyone off the hook. I'm interested to keep reading.

Fraction & Ward, ODY-C vol 1 - Yup, between the art and the diction, this comic is fucking trippy, and I'll be really interested to see how closely Fraction sticks to the actual events of the actual Odyssey: there are plenty of hints, even in this first volume, that things could go off the rails of the familiar narrative in really interesting directions; in some ways, they already have. The "not all men" joke was also pretty flipping fantastic. All in all, it's pretty great.

Tenea Johnson, Smoketown - I don't know if there's a name for the sub-genre that includes this book and Dia Reeves' books, but I put them together in my mind as "speculative fiction set in some version of the South, with POC characters," and like Reeves' books, Johnson doesn't pull her punches. The similarities end there, in some ways: whereas Portero is much more comparable to Night Vale, Johnson's post-climate change apocalypse city is decidedly futuristic but also just weird: the government controls a lot of things and birds are outlawed. Finding out what made the city the way it is, and working to change it, winds up being the crux of the novel, but the book goes at that widdershins, and while I really, really liked the book, I thought there were some plot developments that needed a bit more explanation, and some of the characters were much more vivid than others (but oh, when they're vivid, they're painfully alive). So, while I wanted a bit more of some parts of the book, what was there was wildly inventive and really engrossing, and I recommend it.
starlady: Ramona Flowers wearing her delivery goggles (ramona flowers is awesome)
What I've Read
Arakawa Hiromu, Silver Spoon vols. 10 & 11 (2014) - These two volumes cover the end of Hachiken & company's first year at Ezono, which is the equivalent of their sophomore year of high school in the States. They were both really good, of course, and Hachiken's Russian sister-in-law is amazing. More please!

Yoshinaga Fumi, Ôoku vol. 10 (2013) - I said on Twitter that this manga has gone from being a manga about gender and power to being about power and immunology, which is true, but things seem like they're going to go back to gender and power in 11 and then bring the immunology back in 12. Volumes of this manga tend to end really up or really down, and this one's a downer, as the death of Tokugawa Ieharu brings about the downfall of Tanuma Okitsugu and her faction with the ôoku, to say nothing of their efforts to make immunization from the red-face pox a reality. But their enemies have proven in the course of this volume that they'll stop at nothing to secure the shogunate, and it's probably germane to remember that historians who care about this sort of thing (hint: not most people currently practicing on the American side) generally agree that Tanuma was the shogunate's last real chance to reform to meet the demands of the C19. 

Jem and the Holograms #1 & 2 (2015) - I never saw the cartoon when I was a kid, and i was probably missing out, but the comic is great so far. I love the art and the coloring, and the story, which follows Jem and the Holograms as they get their start in 2015, is witty too.

What I'm Reading
ODY-C vol. 1 - This comic is fucking trippy, and I like it a lot so far. It retells the Odyssey, in space, with a total genderswap, and the combination of the psychidelic art with the pseudo-epic speech style of the narration is whacked out. But like I said, I like it a lot so far. Fraction is pretty darn awesome.

What I'll Read Next
I got the Charles Soule run of She-Hulk in single issues when they were on sale on Comixology, and I inherited two volumes of Magneto, and of course, tons of manga.

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July 2017

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