starlady: (bibliophile)
We're back and better than ever! Or at least, I'm reading for fun again for the first time since before my exams.

Just finished
Rachel Hartman, Seraphina (2012)
I really liked this YA novel about a girl caught between two worlds in conflict (humans and dragons, natch) in a for once believably plausibly medieval world, with much greater gender equality and non-stigmatized homosexuality, even. I was reminded of Frances Hardinge's Fly By Night in that respect, actually, which is very high praise indeed. I could barely put the book down, given how much I loved Phina, and sympathized with her struggles, and I think the book is also making some fairly sophisticated arguments about embodiment and what it means for who we are. The dragons were great too, and I'm looking forward to the sequel very much.

Michelle Sagara, Cast in Peril (2012)
I really enjoy the Cast books, even though I'm perpetually falling behind--the newest, Cast in Flame, is about to be published, and I still haven't read the one in between them. I was also thinking to myself while reading it that I really wished two characters would sleep together, and thinking that it would never happen, when it was explicitly discussed in text a few pages later (and rejected; I like that Sagara's characters often know and enforce their own boundaries). So there is indeed character development going on, and for a book that's all about a journey from Point A to Point B, it was surprisingly gripping. Anyway. If you like Sagara West's central protagonist type, you should totally check out the Cast books, since they really are Kaylin's story.

Frances Hardinge, A Face Like Glass (2012)
I think this is Hardinge's best book yet, at least of the ones that I've read. (I only have three left to read! Noooo! I've been trying to pace myself.) Neverfell isn't as brave as Mosca, and that makes her equally interesting in a different way, and the worldbuilding was spectacular. I can't recommend Hardinge's books highly enough to everyone, and I also want to say that I think that her books are a great example of art being found everywhere, even in denigrated categories such as middle grade.

N.K. Jemisin, The Killing Moon and The Shadowed Sun (2012)
I really liked both these books, though I thought that The Killing Moon stood better on its own, particularly since The Shadowed Sun was rather heavy in its subject matter at times. Everyone should read these books! Pseudo-Egyptian epic fantasy with interesting magic and an interesting and varied cast of characters and…ninja priests of death! All that being said, while I liked Hanani a lot, I didn't like the denouement to her story, or the ending of the book in general; I wanted more of the politics related to the resolution, and less of the personal. I also think that…how do I say this. Jemisin is clearly in conversation with certain romance novel tropes at times, and I'm not personally a romance fan; I also feel that giving female protagonists in fantasy novels romance novel endings feels conservative, even if it's actually not for the characters themselves. I'd rather see Jemisin give queer characters the romance novel endings; that would feel more revolutionary for me, and more satisfying. Also there should be another whole book about Nijiri; I found him annoying initially, but by the end he was my favorite character by a long shot.

N.K. Jemisin, The Kingdom of Gods (2011)
On the other hand, I really liked this conclusion to the Inheritance trilogy; I liked the politics, the magic, the godhood and its problems; I liked Sieh and his trio with the Arameri siblings. I actually mostly just wish it had been longer, really; Jemisin really managed to draw the threads of everything else that had come before together in a very satisfying way.

Sherwood Smith, Revenant Eve (2012)
I hadn't read the previous two books in this Dobrenica trilogy, but that turned out to be mostly okay as it's a time travel tale in which the viewpoint character isn't actually the protagonist, which is interesting structurally, and the book itself was a fun romp through largely under-explored back alleys of the Napoleonic period in France. I quite enjoy Smith's books, and this was very enjoyable. Awesome ladies with swords and pistols! What more could you want, I ask you.

Sherwood Smith, Banner of the Damned (2012)
That said, I enjoy Smith's epic fantasy sequence even more, and this is the next one in the main continuity, set about 800 years after the Inda books. I really, really liked that the main character was asexual (this may be the first book I've read where that was explicitly acknowledged as a thing, actually), and I liked the way that you could see glimpses of history changing and being retold in the background, even as by the ending of the book it became an explicit issue. I'm also really impressed in general at the way that Smith can make just about anything suspenseful, even things that rightly shouldn't be; her pacing is always a marvel. I also think she's a master worldbuilder who doesn't get anywhere near enough credit. Also highly recommended.

Currently reading
Alaya Dawn Johnson, The Burning City
Because I've been hearing a lot of buzz about Love Is the Drug on Twitter and I want to try to clear out the backlog. Currently I'm not very far in and I'm still trying to remember who everyone is (I've been consulting the pre-synopsis literally). I'm still really sad that there's currently no plans to finish the third volume, even as I both enjoy the book and recognize that it's weaker than her more recent books. Anyway, she's awesome, you should read everything she's ever written.

Recently acquired
CLAMP, Gate 7 vol. 4 (I don't think I finished 3?)
CLAMP, Gouhou Drug - Drug & Drop vol. 1
CLAMP, xxxHoLiC Rou vol. 1
Arakawa Hiromu, Silver Spoon vol. 10 (it was packaged with an ema from the shrine in the manga! I haven't even finished vol. 1)
Yoshimoto Banana, Kitchen
Short Stories in Japanese: New Penguin Parallel Text, ed. Michael Emmerich

Reading next
Probably Diana Wynne Jones or Kameron Hurley or Ann Leckie. Note to self: vote for the Hugos.

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Electra

June 2017

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