starlady: Korra looks out over Republic City (legend of korra)
What I'm Reading
Seanan McGuire, A Red-Rose Chain (2015) - The ninth and newest Toby Daye book. I'm enjoying it a lot so far, though at this point I feel like there isn't a lot to say about individual books except in terms of the overall series. At least, after the heavy revelations of The Winter Long, this book is less about heavy personal revelations and more about straight-up terrible things and Toby doing her hero thing, even in some very trying circumstances, viz. Portland.

What I've Read
Alaya Dawn Johnson, Wicked City (2012) - I said from the beginning that Zephyr Hollis was in denial about who she was, and I felt vindicated that Zephyr herself came to explicitly agree with that statement, but by the end of this book I was really irritated with her as a character; at some point in the middle, Zephyr's denial tips over into hypocrisy, and she treats her djinni boyfriend rather horribly throughout the course of the novel in a way that doesn't go unremarked in the text, but which does go unapologized for on Zephyr's part. The elements of the plot around Zephyr and Amir were engaging, and I would totally read a third book if Johnson wrote one based on the revelations in the last few pages, but Zephyr herself was just a bit too self-righteous, without the ethical chops to back it up, for me to enjoy this book as much as I did the first one.

Jeff VanderMeer, Shriek (2006) - I loved this book, if not uncritically, then quite a lot, and having come to VanderMeer's earlier work from the Southern Reach books, it's interesting to pick up the threads of thematic continuity that run back from those books into this one: the question of humans' place in an ecosystem, the idea of places as systems that exert a subtle influence, if not contamination, on their inhabitants; other ideas about decay. I appreciated the sibling dynamic of Duncan Shriek making marginal comments on his sister Janice's (posthumous? there's no way to know) manuscript, and I found myself disagreeing with Abigail Nussbaum's assessment that Janice is shriekingly ordinary but wholly ignorant of that fact and therefore boring. To my mind, Duncan, Janice, and Mary are all bad historians and unreliable narrators, but each in recognizably different ways. The mismatch between their approaches to their own stories is what makes the book go, along with some truly inventive worldbuilding and imagery. I need to read Finch.

Catherynne Valente, The Folded World (2011) - Prester John number two, with the third book on hold perhaps indefinitely. I enjoyed this book; I enjoy Valente's writing, though I suspect that were she to write this book now it would be a tauter manuscript--but I like her language so much that I don't mind the meandering in the tale here, and the fact that it ends with the world smashed but the shape of its shattering wholly unclear. Brother Hiob and company are still decidedly 16thC, not 18th. I need to read Radiance, and the other Valente books I've piled up in the TBR stack.

C.S. Pacat, Kings Rising (2016) - YES I READ THE FINAL ONE FIRST, WHATEVER, IT'S HOW I ROLL. I suspect everyone here knows what this book is about, but as someone who was recced the series for about six solid years before I finally tipped over into reading it, I want to record for posterity the fact that I think Pacat is commenting quite shrewdly not only on tropes of mainstream media but also of fandom in some interesting ways, and that all her choices together push the book firmly into romance territory, which may not be immediately obvious when people start throwing around the term "slave fic." The book was amazing, I think I might be dead, I need to read the first two, and, let me be clear: all of you were right.

What I'll Read Next
Hopefully The Steerswoman and other books!
starlady: (abhorsen key)
I'm back in Bali. Due to various things, some of which I should have realized and some of which I should have been told, I am on my way to spending eleven hours here in the airport today. When I get to Tokyo I'll see whether they can change Indonesia rupiah, because the rates here were crap. For the record, the airport is very new and very nice, and don't worry, Lonely Planet, they have multiple duty-free shops now.

What I'm Reading
Clariel by Garth Nix - I had forgotten how much I love the Old Kingdom books; my copies of the first three and of Across the Wall and "The Creature in the Case" are in storage, so I haven't been able to do a proper reread, but even just from reading the preview of Sabriel in the back of the book, they're great. I also really like the way Nix manages to do several difficult things here: namely, to make an ostensibly unlikable protagonist sympathetic, and to build a plot and a coherent worldview despite said protagonist being rather disposed to obliviousness. I cannot wait for the fifth book, and I wonder to what extent Lirael's being a Rembrancer will come up. Also, I really do love Mogget more and more. I hope he's back too.

Ancillary Sword by Ann Leckie - "We can't go to space without dishes!" I love the imperial Radch so much, partly because they are Romans in space and partly because they drink a lot of tea, although my loving them does not make me neglect their many faults, no more than Breq is blinded. This is a different book than Ancillary Justice in many ways, and in many ways also funnier (Breq is hilarious when she wants to be) and I'm enjoying it heaps so far.

What I've Just Read
Unmade by Sarah Rees Brennan - Finished on my plane from Sydney this morning. I was not prepared for the fact that it would make me cry multiple times. I liked these books a lot, although I feel like they could have been deeper than they were, I guess. Not that they were shallow! And I did like the way the characters grew and changed, and the feelings, and the story itself. Sigh. Maybe I'm just actually wanting more story.

Conservation of Shadows by Yoon Ha Lee - Finished on my train to Sydney on Sunday. I'd read some of Lee's stories in various online magazines, but it had been long enough that I'd forgotten almost all of them except "Flower, Mercy, Needle, Chain" and "Blue Ink." Anyway they are great! Lots of maths, lots of Asian influences, lots of interesting and cool things. I need to read the rest of Lee's stories that are online and weren't in this book.

Love Is the Drug by Alaya Dawn Johnson - Read in the airport this afternoon. I love ADJ's books, and I liked this one a lot, although nowhere near as much as I loved The Summer Prince, which was alchemical. This one is good, and very much drawing on Johnson's experiences growing up in the District, although it's changed a lot in the last few years and her D.C. is very much up to date; I daresay her childhood didn't include pandemic flu and the invasion of Venezuela. I liked the protagonist Bird and her slow, painful transformation into her self; I never understood her attraction to Coffee, per se, and I also sort of question this knee-jerk association of Brazil and freedom and justice, although characters poke holes in it at at least one point. They have favelas in São Paulo, IJS, I guess. And I liked the story--I liked what happened with what Bird knew, and what didn't--but yes, the government does horrible things and while I believed in Bird's self-delusion on that point, I'm already in Coffee's camp more or less, and so Bird twigging to the truth of that didn't really do much for me. Bizarrely, Johnson repeatedly minimized the death rate of the 1918 pandemic flu (she says 5-10%; it was somewhere between 10-20 on average, and higher in many places), which really bothered me, because you don't actually see the extreme social dislocation of a pandemic at anything much below 30%, or at least you didn't historically, and the plausibility of the whole story line kept bothering me because of that. I don't know; the book is really about they way we live now, I guess, and it's depressing, but also nothing new. This dynamic of "teenagers discover huge government plot!" worked better for me in Malinda Lo's Adaptation books because I don't believe the government is lying about aliens. But I'm quite sure it's lying about some of the things that are plot points in here.

What I'll Read Next
I got Razorhurst by Justine Larbalestier in Australia, and also a classic Penguin cover edition of Northanger Abbey, the last Jane Austen I haven't read. I also got a little Penguin pamphlet about the Sydney Opera House (it kills me that we in the States don't get the best of Penguin's designs, which have really gotten awesome in the last five to ten years), so probably that too.
starlady: The Welcome to Night Vale Logo, with clouds over the moon (welcome to night vale)
No lie, I tried to picture where Triskelion was when I went over the bridge on the Metro today. And I walked past Steve's apartment building again. ♥


What Have I Read
Dia Reeves, Bleeding Violet (2009) - So, while I know that this book was written several years before the debut of Welcome to Night Vale, believe me when I tell you that this book could be a novel set within its universe, or an AU of its universe. The story concerns a half-Finnish, half-African American girl, Hanna, who moves to her mother's town in East Texas even though she's never met her mother before and her mother doesn't want her there. Hanna has mental health problems, but it turns out that her experience with her own crazy may actually stand her in good stead in a town where things really do go bump in the night, and even in broad daylight. There's even a scary female Mayor, and doors around the town play a huge role in the story--yes, it's basically Night Vale. I loved Hanna, and her pragmatic approach to her own mental health problems, and in many ways I don't think I've seen a more unsentimental portrayal of mental illness in YA. Her being mixed race, and also her sexual appetites, are similarly portrayed. I loved Hanna, and the book is dark and gripping. If you like Night Vale, I suspect you'll like this book, and vice versa. Highly recommended.

Sarah Rees Brennan, Untold (2013) - Sequel to Unspoken, which I liked a lot, and I liked this one a lot too, although it does (albeit believably, since the characters are emphatically not rational adults) rely on the Misunderstanding trope for much of its emotional tugging at the old heartstrings. I still like all the characters; they are still, especially the protagonist Kami, quite funny, and the story is still interesting, although this is definitely something of a middle book and I'm very much looking forward to Unmade. (Yes, I did wait to read this one until I could read the final one, which just came out.) I do think SRB keeps getting better as a writer; I'm looking forward to what she does next.

Alaya Dawn Johnson, Moonshine (2010) - After loving The Coldest Girl in Coldtown, I wanted some more vampires done right, and this book fit the bill. I absolutely love Johnson's books, all of them, that I've read, and this was no exception, although it's written for adults (and, unlike Johnson's first books, the tone never wavers from that). The story concerns one Zephyr Hollis, the so called "vampire suffragette," a social reformer in a 1920s New York City populated by vampires and djinn as well as bootleggers and immigrants. I really love the 1920s setting for multiple reasons, not least being that we're in a Second Gilded Age, a Jazz Age without the Jazz (more's the pity), and I liked the book a lot. Zephyr is very much a modern woman, and for a while her almost maniacal zeal for social reform seems almost a caricature, until eventually things click into place like bullets in the chamber of a revolver and you realize that she's a killer who is fundamentally lying to herself about her own nature, even to the point of adopting vegetarianism. Her capacity for violence, unfortunately, is part of her and part of what allows her to do what she does; one wonders whether she'll ever be forced to reckon with it. I desperately want to read the sequel Wicked City, partly because the romance is left at a juncture not unlike some of the happenings in Untold (Zephyr, like Kami, is a pistol), but unfortunately it's not available in ebook and my copy is in storage. I shall just have to read Johnson's new YA novel Love Is the Drug in the meantime.

What Am I Reading
Buoyed upon the 1920s vim of Moonshine, I started Libba Bray's The Diviners on the plane immediately after finishing the first book. I love it terribly so far--Evie is a pistol too, and Memphis is swell--although I'm reading it with the trepidatious knowledge that the second book has been delayed for years (understandably) and Bray is currently dealing with depression, which of course is both wholly individual and also really difficult. Be that as it may, I really want these books to be the (a) great American historical fantasy epic that I've been waiting for my whole life, it feels like (and yes, these thoughts are emphatically partly due to getting back to my own New World pirate fantasy novel after eons)--it's the 1920s, it's New York, it's urban, it's got magic, it's American in all its painful complexity and darkness--and yes, Bray has gotten much better on the representation front, to my mind, after her first books in which people in Raj India are said to eat snakes (hint: no.) in the first scene and things go downhill from there. But so far The Diviners is the berries.

What Have I Acquired
My problem with the New York Review of Books Classics is that I want to read all of them. I went down to my alma mater on Monday to meet some of my old professors, and for reasons that shall remain unenumerated in public, I was in a weird and dark mood when I got back, the kind of mood to read something terrible and true, so I picked up a copy of A Savage War of Peace: Algeria 1954-1962 by Alistair Horne. Apparently it was a secret bestseller amongst the U.S. army officer corps eight years ago, and may well be again, given that another September has brought yet more American violence to the Middle East. I have my doubts about this kind of history, but we'll see.

What's Next
Who knows?
starlady: (bibliophile)
Recently Read
Alaya Dawn Johnson, The Burning City (2010)
I really liked the first volume in this unfinished trilogy, Johnson's first novel, Racing the Dark--and though the trilogy is unfinished, I think this volume ties up enough of the loose ends that it's not an unsatisfying place to stop. The book traces the events immediately following the end of Racing the Dark, as well as events of 1000 years ago, the age of the great spirit bindings. I still found Lana to be somewhat annoying at times, so it was nice to break her perspective up with that of the dead witch Aoi, although Lana, by the end of the book, did start to come into her own as more of an adult than before. Semi-facetious note: This is one of several books I've read recently in which a threesome with better communication would have solved a lot of problems.

Ann Leckie, Ancillary Justice (2013)
I already knew that I was going to vote for this book for Best Novel in the Hugos, and I was pleased to find that it totally lived up to all the buzz I'd heard. Aside from the absolutely gripping narrative and the compelling protagonist, Justice of Toren One Esk Nineteen alias Breq, who used to be a part of a millennia-old starship but isn't any longer, I love how the narrator just says "gender is confusing me, I can't see it correctly" and just uses "she" to refer to all of the other people she meets, including people she knows are male-bodied. One in the eye, fanboys! And, although Leckie denied it to some extent in the back matter, the Radch are totally Romans in space, and we all know how much I love the Romans. I can't wait for the follow-up, Ancillary Mercy.

Sarah McCarry, All Our Pretty Songs (2013)
A YA retelling of the Orpheus myth that reminded me of Francesca Lia Block (whom it name-checks) but better, because I never much liked Francesca Lia Block; I am tickled to note that in this book LA, the setting of most of Block's oeuvre, is emphatically identified with Hell, which I suppose would make mid-90s Seattle, where the book is set, something other than Elysium. I liked the book, though not as much as some people; wild teenagers Aurora and the unnamed protagonist grow up like sisters despite the fact that Aurora's Kurt Cobain father killed himself and her heroin addict mother Maia (probably meant to be Courtney Love) doesn't speak to her former best friend, the protagonist's mother Cass. Things get complicated when phenomenal guitarist Jake, a clear stand-in for Hendrix, rolls into town and the narrator falls in love with him. Given that Maia is black and Courtney Love is a rocker in her own right, I was uncomfortable with the clear "Cobain and Love" aspect of the characters, and in particular the way that Maia is totally out of touch with her own life, to say nothing of her daughter. Like other people, I felt like the few isolated attempts to discuss race were more shoehorned in than organic, albeit sincere. I felt like Jake's characterization was also a bit thin, particularly since he's basically Hendrix. The narrator is unnamed, of course, because there is no one like her in the Greek myths, and the book's language is gorgeous. I also thought the denouement was an interesting twist on a familiar set of tropes.

CLAMP, xxxHoLiC Rei vol. 1 (2014)
I bought this when I was in Japan last month and…I don't know. The art's still great, but I fail to see how the story can be anything but a retread of the less interesting (i.e. non-main plot arc, such as it was) parts of the original manga. And as much as I love the characters, for all the jokes Yuuko makes about couples' comedy routines, it's not like CLAMP are ever going to either fish or cut bait with the relationship between Watanuki and Doumeki, probably not in any way. Which I find more frustrating than I used to, I will admit. My own personal feeling is that Rei is set in the middle of the first series; on the cover and in the splash pages, Watanuki still has two blue eyes, so it's pre-Spider Lady. I imagine they want to cross over with Legal Drug, which has also restarted; it was possible to see, for a while after the latter was cancelled, the places in the former where crossovers had been intended. Which is fine, but for all that the first HoLiC series had pacing issues, it was still gorgeous and captivating. I am not captivated by Rei yet; unless I become so, I'll probably sell it back to Book-Off before I leave Japan next year.

Currently reading
Sofia Samatar, A Stranger in Olondria. I like it a lot so far; I have nothing to say yet.

Reading next
No idea!

starlady: (bibliophile)
We're back and better than ever! Or at least, I'm reading for fun again for the first time since before my exams.

Just finished
Rachel Hartman, Seraphina (2012)
I really liked this YA novel about a girl caught between two worlds in conflict (humans and dragons, natch) in a for once believably plausibly medieval world, with much greater gender equality and non-stigmatized homosexuality, even. I was reminded of Frances Hardinge's Fly By Night in that respect, actually, which is very high praise indeed. I could barely put the book down, given how much I loved Phina, and sympathized with her struggles, and I think the book is also making some fairly sophisticated arguments about embodiment and what it means for who we are. The dragons were great too, and I'm looking forward to the sequel very much.

Michelle Sagara, Cast in Peril (2012)
I really enjoy the Cast books, even though I'm perpetually falling behind--the newest, Cast in Flame, is about to be published, and I still haven't read the one in between them. I was also thinking to myself while reading it that I really wished two characters would sleep together, and thinking that it would never happen, when it was explicitly discussed in text a few pages later (and rejected; I like that Sagara's characters often know and enforce their own boundaries). So there is indeed character development going on, and for a book that's all about a journey from Point A to Point B, it was surprisingly gripping. Anyway. If you like Sagara West's central protagonist type, you should totally check out the Cast books, since they really are Kaylin's story.

Frances Hardinge, A Face Like Glass (2012)
I think this is Hardinge's best book yet, at least of the ones that I've read. (I only have three left to read! Noooo! I've been trying to pace myself.) Neverfell isn't as brave as Mosca, and that makes her equally interesting in a different way, and the worldbuilding was spectacular. I can't recommend Hardinge's books highly enough to everyone, and I also want to say that I think that her books are a great example of art being found everywhere, even in denigrated categories such as middle grade.

N.K. Jemisin, The Killing Moon and The Shadowed Sun (2012)
I really liked both these books, though I thought that The Killing Moon stood better on its own, particularly since The Shadowed Sun was rather heavy in its subject matter at times. Everyone should read these books! Pseudo-Egyptian epic fantasy with interesting magic and an interesting and varied cast of characters and…ninja priests of death! All that being said, while I liked Hanani a lot, I didn't like the denouement to her story, or the ending of the book in general; I wanted more of the politics related to the resolution, and less of the personal. I also think that…how do I say this. Jemisin is clearly in conversation with certain romance novel tropes at times, and I'm not personally a romance fan; I also feel that giving female protagonists in fantasy novels romance novel endings feels conservative, even if it's actually not for the characters themselves. I'd rather see Jemisin give queer characters the romance novel endings; that would feel more revolutionary for me, and more satisfying. Also there should be another whole book about Nijiri; I found him annoying initially, but by the end he was my favorite character by a long shot.

N.K. Jemisin, The Kingdom of Gods (2011)
On the other hand, I really liked this conclusion to the Inheritance trilogy; I liked the politics, the magic, the godhood and its problems; I liked Sieh and his trio with the Arameri siblings. I actually mostly just wish it had been longer, really; Jemisin really managed to draw the threads of everything else that had come before together in a very satisfying way.

Sherwood Smith, Revenant Eve (2012)
I hadn't read the previous two books in this Dobrenica trilogy, but that turned out to be mostly okay as it's a time travel tale in which the viewpoint character isn't actually the protagonist, which is interesting structurally, and the book itself was a fun romp through largely under-explored back alleys of the Napoleonic period in France. I quite enjoy Smith's books, and this was very enjoyable. Awesome ladies with swords and pistols! What more could you want, I ask you.

Sherwood Smith, Banner of the Damned (2012)
That said, I enjoy Smith's epic fantasy sequence even more, and this is the next one in the main continuity, set about 800 years after the Inda books. I really, really liked that the main character was asexual (this may be the first book I've read where that was explicitly acknowledged as a thing, actually), and I liked the way that you could see glimpses of history changing and being retold in the background, even as by the ending of the book it became an explicit issue. I'm also really impressed in general at the way that Smith can make just about anything suspenseful, even things that rightly shouldn't be; her pacing is always a marvel. I also think she's a master worldbuilder who doesn't get anywhere near enough credit. Also highly recommended.

Currently reading
Alaya Dawn Johnson, The Burning City
Because I've been hearing a lot of buzz about Love Is the Drug on Twitter and I want to try to clear out the backlog. Currently I'm not very far in and I'm still trying to remember who everyone is (I've been consulting the pre-synopsis literally). I'm still really sad that there's currently no plans to finish the third volume, even as I both enjoy the book and recognize that it's weaker than her more recent books. Anyway, she's awesome, you should read everything she's ever written.

Recently acquired
CLAMP, Gate 7 vol. 4 (I don't think I finished 3?)
CLAMP, Gouhou Drug - Drug & Drop vol. 1
CLAMP, xxxHoLiC Rou vol. 1
Arakawa Hiromu, Silver Spoon vol. 10 (it was packaged with an ema from the shrine in the manga! I haven't even finished vol. 1)
Yoshimoto Banana, Kitchen
Short Stories in Japanese: New Penguin Parallel Text, ed. Michael Emmerich

Reading next
Probably Diana Wynne Jones or Kameron Hurley or Ann Leckie. Note to self: vote for the Hugos.
starlady: Anna Maria from PoTC at the helm: "bring me that horizon" (bring me that horizon)
Johnson, Alaya Dawn. The Summer Prince. New York: Arthur A. Levine Books, 2013.

This is one of, if not the, best books I will have read this year. It's beautiful, amazing, wonderful--a triumph.

The Summer Prince is the story of June, the waka daughter of a very politically powerful couple in the city of Palmares Tres, the jewel of postapocalyptic Brazil. It is the story of Gil, June's best friend, who falls in love with the Summer King of Palmares Tres, Enki, whose one-year reign is preordained to end in his death, and his selection of the city's ruling Queen.

Palmares Tres is uneasily divided in many ways, class and age being the most obvious. The ciy's aged but technologically youthful grandes are wary of the energy and rebelliousness of the young waka, and the election of Summer Kings is an acceptable outlet for dissatisfactions. At the beginning of the story, June doesn't much care about any of this; she cares about making art, and after meeting Enki, she cares about making great, confrontational public art with Enki, showing the grandes what they would rather not see.

There aren't words for how much I loved this book. It's so amazing on so many levels--on the level of worldbuilding, as the history and society and culture of Palmares Tres feels so believably complicated and tangible, on the level of character, as June's struggles and eventual hard-won wisdom are sympathetic and engrossing, and on the level of story, which is never predictable and which I couldn't put down. There are so many things to talk about--the culture, the food, the dancing, the absolutely unremarked status of bisexuality as a norm, the difficult subplot involving June's father's death and her mother's decision to remarry one of the city's highest-placed Aunties. It's also a really compelling portrait of the process and attraction of creating art, and also an interesting retelling of the story of Gilgamesh, in which the titular hero of that poem is devalued in favor of the much more interesting points of the triangle. Although Enki arcs into her life like a comet, this is June's story, and it's utterly amazing. Read this book.
starlady: Anna Maria from PoTC at the helm: "bring me that horizon" (bring me that horizon)
Johnson, Alaya Dawn. Racing the Dark. Chicago: Agate Bolden, 2008.

I got this book while it was available for free on Amazon.com (it's actually the first e-book I've ever read) because Johnson is one of the guests of honor at this year's Sirens conference. You should join us! It's been an awesome time for the three years I've gone, and I fully expect for it to be an awesome time again.

Racing the Dark, the first book in an unfinished trilogy, tells the story of Lana, who when the book opens is initiated into the sisterhood of divers on her island, who provide the community's main source of wealth via harvesting organic jewels from the mouths of fish. The jewels Lana finds on her first solo dive mark her out as having a great spiritual power, but she conceals this sign of her destiny and soon is forced to leave her island with her parents in light of the environmental upheaval that has turned the freshwater seas around her island brackish. Lana's father goes ahead of them to the capital to try to establish himself as an instrument maker, and she and her mother remain behind in the closest large port city trying to make a living as a barmaid and a laundry-girl, respectively. It was when Lana's mother turns to prostituting herself for money to buy medicine for Lana that I realized I wasn't reading a YA book (though, when Lana gets drunk and smokes weed with no consequences within the first few pages, I started to have my suspicions).

Despite the way it seems initially, this isn't a YA book. But it doesn't quite feel like an adult novel either, despite the fact that it quickly develops into a very epic epic fantasy that spans years, characters, and continents. It quickly becomes clear that the environment is profoundly out of whack: the spirits of the elements that were bound millennia ago are restless in their bindings, and they want to be free. I said on Twitter that the book's setting feels like the midpoint between FF: VII and FF: X-2, which is a reference to the fact that in one of the bonus scenes in FF: X-2 child pilot Shinra talks about possibly tapping the planet's geothermal energy and in FF: VII the geothermal power processing has nearly destroyed the planet. Environmental precariousness is a major theme in the book, as is the theme of humans being out of whack with their environment.

There are a lot of characters in here, some of whom die annoyingly early and others who linger too long (I personally loathed Kotaku from the very first time we got his POV), and I have to agree with [personal profile] oyceter's remark that Lana, for most of the book, seems rather passive. But in all honesty the narrative propels along fast enough that I honestly didn't notice, in part because the setting and the characters are pretty original: the language and the setting feel Pacific Island mostly, although much of the language and cultural details seem Asian (mochi are specifically referenced at one point). (On that note: characters aren't pictographs, KTHNXBAI.) All the characters in the book are people of color, which I also appreciated.

The structure was also, as I've implied, kind of whacked out--I continue to think that this book is more YA than not, except for how I don't know that it could ever be marketed as YA. Anecdotal evidence seems to be that the book got next to no marketing, or if it did, it was the wrong marketing, which is a crying shame. This is a really interesting world with a fascinating and varied cast of characters, and I will very much be seeking out the sequel, The Burning City, as well as the rest of Johnson's works.

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starlady: Raven on a MacBook (Default)
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