starlady: A typewriter.  (tool of the trade)
Electra ([personal profile] starlady) wrote2010-06-01 07:29 pm
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Slowly returning to our regularly scheduled programming

So via [personal profile] cofax7 today I found out a) that Polyamorous Recommendations exists and b) that "The Momiji File" made it onto yesterday's updated rec list, which is intensely flattering. *is flattered*

There are more thinky-thoughts about WisCon forthcoming as I digest them, I think, particularly the discussion about affirmational and transformational fandom that's going on over at [personal profile] damned_colonial's. New people I met and added at WisCon, I am so glad to have met and added you, this conversation that is ongoing is clearly amazing. And I think I need to register for FOGCon.

On a similar note, welcome new people! I am going to add all of you whom I met at WisCon to my Wiscon filter, but please let me know if you'd like to be on my writing filter. I never used to talk about writing, and still quite honestly when I hear people talk about writing as a communal experience I more or less boggle, because that is not my experience of writing at all, but I am trying to put a little more community into my process via the filter. It seems to be working well so far!

[identity profile] starlady38.livejournal.com 2010-06-02 02:57 am (UTC)(link)
I think in some ways I have aca-ized myself out of most anime fandom discussions. LJ is definitely still the place for them on the whole, but the majority of the few people with whom I do have the best discussions both about what I like about anime and manga and what frustrates me to death about specific examples of them are on DW (with a few notable exceptions, including you). There are some blogs I like too, but no real central watering hole.

[identity profile] corneredangel.livejournal.com 2010-06-02 03:14 am (UTC)(link)
I'm frankly back to the point where most of the anime/manga discussions that I do participate in aren't even online - especially since what I end up talking about usually is not the content itself, but how it's presented, marketed, sold and distributed.