Entry tags:
American Born Chinese
Yang, Gene Luen. American Born Chinese. New York: First Second, 2006.
I went to the Diversity in YA kick-off event in San Francisco two weekends ago, and Gene Yang's signature on my copy of this book says, "Keep reading comics!" No fear of the opposite happening, Gene.
This book won both the Printz and the Eisner and was the first graphic novel nominated for the National Book Award, which considering that it came out in 2006 says several things at once right there. At the DiYA event Yang mentioned that he basically had no input on the book being submitted for consideration for the Printz, which is also interesting; I wouldn't tag this book YA, though I wouldn't say it's not YA, either. Like the best comics and graphic novels, its appeal defies age.
The story itself is three separate, and then not-so-separate, stories: the first follows the Monkey King, and his rather drastic efforts at self-reinvention after a snub at a party, culminating in his joining the Journey to the West. The second follows young Jin Wang, a student at Oliphant High who has one best friend, Weh-chen, and who wishes he could be someone else. The third seems the most unrelated: it follows Danny, a white high school student whose perfect life is destroyed every year by the arrival of his cousin Chin-kee for his annual visit from China. Only in the final chapter is it revealed that they're all connected, in a brilliant and really unnerving way.
As you might expect from the title, but less so from my summary above, the story is about race and identity and immigration and assimilation and dominant versus minority culture and navigating that matrix. Yang's art is really funny, and so is his text; it took me this entry by![[personal profile]](https://www.dreamwidth.org/img/silk/identity/user.png)
esmenet to really register the multilingualness (hybridity? polyvocality?) of the text, but now that I think about it, yeah: it's one of many brilliant touches on Yang's part. There are levels and levels to this book, and I probably should reread it now that I know the ending, which is first devastating (and also a bit like a knife to the kidneys in that it's so smoothly done) and then hopeful.
I went to the Diversity in YA kick-off event in San Francisco two weekends ago, and Gene Yang's signature on my copy of this book says, "Keep reading comics!" No fear of the opposite happening, Gene.
This book won both the Printz and the Eisner and was the first graphic novel nominated for the National Book Award, which considering that it came out in 2006 says several things at once right there. At the DiYA event Yang mentioned that he basically had no input on the book being submitted for consideration for the Printz, which is also interesting; I wouldn't tag this book YA, though I wouldn't say it's not YA, either. Like the best comics and graphic novels, its appeal defies age.
The story itself is three separate, and then not-so-separate, stories: the first follows the Monkey King, and his rather drastic efforts at self-reinvention after a snub at a party, culminating in his joining the Journey to the West. The second follows young Jin Wang, a student at Oliphant High who has one best friend, Weh-chen, and who wishes he could be someone else. The third seems the most unrelated: it follows Danny, a white high school student whose perfect life is destroyed every year by the arrival of his cousin Chin-kee for his annual visit from China. Only in the final chapter is it revealed that they're all connected, in a brilliant and really unnerving way.
As you might expect from the title, but less so from my summary above, the story is about race and identity and immigration and assimilation and dominant versus minority culture and navigating that matrix. Yang's art is really funny, and so is his text; it took me this entry by
esmenet to really register the multilingualness (hybridity? polyvocality?) of the text, but now that I think about it, yeah: it's one of many brilliant touches on Yang's part. There are levels and levels to this book, and I probably should reread it now that I know the ending, which is first devastating (and also a bit like a knife to the kidneys in that it's so smoothly done) and then hopeful.
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the ending, which is first devastating (and also a bit like a knife to the kidneys in that it's so smoothly done) and then hopeful.
Yes! That's a lovely description. Did you see the last panel, after the publishing info, with Jin and Wei-Chen in sports jerseys smiling at the video camera?
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It was so great! I loved the Transformers motif in retrospect too. Though, not being familiar with L.A., the setting read as the Bay Area/SF/Oakland to me. I do know Yang named the high school after Pat Oliphant, who published a very racist cartoon about Asian Americans on the day that the school's zip code converts to.
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