This is the third and (for the time being) final post discussing AMVs, and AMVs versus vids.
First post here, second post
(all recs) here.
( More AMV recs )
DaiCon opening animations by Studio Gainax (before they became Gainax)
Gainax made
Neon Genesis Evangelion. But before they turned pro, as college students in the 80s, they made these two hand-drawn AMV/OVAs for DaiCon III and DaiCon IV in 1981 and 1983, respectively. The second OVA is more famous; it's choreographed to ELO's "Twilight" (and here I should mention that "DaiCon" means both "big con(vention)" and "radish"; hence the radish in the OVA). For whatever reason, though, in this file the two are reversed, and since they do tell a story, slide forward to 5:51 and then set your player to repeat all to watch them in order. Fans were creators at the beginning, and now, in the persons of people like Shinkai Makoto and AMV editors, they are creators again.
Academic works discussing AMVs
- Milstein, Diana (2007). Case study: Anime music videos. In Jamie Sexton (Ed.), Music, Sound and Multimedia: From the Live to the Virtual. Edinburgh: Edinburgh University Press.
- Patten, Fred. Watching Anime, Reading Manga: 25 Years of Essays and Reviews. Los Angeles: Stonebridge Press, 2004.
- Ito, Mimi. "Amateur Media Production in a Networked Ecology."
Some more links via
wistfuljane-
VVC: The Anime Vidshow (Disaster) by
flummery-
Vividcon 2005 Anime Vidshow - playlist, decisions and reactions by
absolutedestiny-
Anime: A Pre-digital History (and
Vividcon 2005 Anime Panel Post-mortem) by
absolutedestiny