starlady: animated uhura: set phasers to fabulous (set phasers to fabulously awesome)
source: Star Trek: Prodigy
audio: Kim Boekbinder, "The Sky Is Calling"
length: 3:09
download: 361MB on MediaFire
summary: The sky calls to us/And we go

AO3 page | YouTube link

Lyrics on Genius

Kim Boekbinder on Bandcamp

Made for [personal profile] colls for [community profile] festivids 2024
 


I actually had planned to make this vid using a different Kim Boekbinder song (if this one sounds familiar, it was the Radio segment music in an episode of Welcome to Night Vale many years ago). But when I was hurriedly throwing the project together I didn't go back to check my vid playlist, and I got about a third of the way through before I realized I'd meant to use another one from the album. But by then I realized that this song was better, and kept at it.
 
I originally planned to do more of both seasons, but clipping was a nightmare for weird technical reasons, and I realized that I could concentrate on S2 to take a different angle than the few other Prodigy vids I've seen. I'm really happy with how it turned out, and that so many people have liked it. Happy Festivids, and LLAP.
starlady: animated uhura: set phasers to fabulous (set phasers to fabulously awesome)
source: Star Trek: Picard
audio: Death Cab for Cutie, "Black Sun"
length: 4:51
download: 302MB on MediaFire

summary: 
There is a role of a lifetime
And there's a song yet to be sung
And there's a dumpster in the driveway
Of all the plans that came undone


AO3 page | tumblr post | YouTube link

Lyrics on AZ Lyrics



I didn't actually like S1 of Picard that much--it's by far my least favorite of the Kurtzman Treks and definitely has the weakest writing. But I associate Death Cab for Cutie with Star Trek more or less indelibly thanks to "Grapevine Fires," and once the image of "role of a lifetime" came to me I knew I had to make this vid to get it out of my head. Thanks to Festivids and nicasio_silang for giving me that chance. There's a certain appropriateness to using Ben Gibbard's divorce song from his divorce album to this show, I have to admit. And as I have said multiple times, I have guarded hopes for S2, when Michael Chabon won't be involved.
starlady: animated uhura: set phasers to fabulous (set phasers to fabulously awesome)
source: Star Trek: Lower Decks
audio: Barenaked Ladies, "Odds Are"
length: 3:04
download: 319MB on MediaFire
summary: The odds are that we will probably be all right. Probably.

AO3 page | tumblr post | YouTube link

Lyrics on AZ Lyrics

Made for [personal profile] colls as a Festivids treat, and for the [community profile] vid_bingo 2020 challenge.



I'm a noted fan of the Star Trek animated shows at this point. At least one person guessed that I would make a Lower Decks vid before go-live and I deny nothing. Lower Decks is great, whether you love TNG or whether you think TNG needs to have the piss taken out of it a bit more often (or both!), and it's a great piece of Star Trek--in fact Lower Decks might have the strongest first season of any Trek series, which is saying quite a lot. I'm very much looking forward to the next season.

Is the dog lip-syncing?

Would a perfectly normal dog do a thing like that?
starlady: don't fuck with nurse chapel (nurses are awesome)
In preparation for Star Trek: Lower Decks (I'm just going to call it LDS, because the one with the whales is a perfect movie, and you can't stop me), I rewatched all of The Animated Series. It's wild to realize that the first and last time I watched it was ten years ago; you can find my reaction posts in the star trek tag

Rewatching, it was interesting to me how some things bothered me less and others bothered me more--I've always hated Harvey Mudd, and as far as I'm concerned Lorca should have shot his ass in that Klingon prison and saved us all the suffering--but I hated him even more this time around, with the fire of a thousand firey suns. Even as it was pretty hilarious to me how there was a very obvious "no homo!" moment in that episode which…is not convincing in the slightest. But I appreciated again how the character designs make all the women look angry, and how the fact that a good chunk of the episodes are follow-ups to TOS episodes means that they can be slightly denser than their 22 minute allotment would suggest. I also don't think the animation is actually that bad, aside from the parts where the QC obviously failed. It's not that much worse than any other 1970s cartoon, at any rate, particularly in comparison to contemporary animation. And the characters outside the Kirk/Spock/McCoy trio really get a chance to shine, which is a nice change from TOS.

Anyway. TAS is canon now, again--suck it, Roddenberry! And for that reason, if you like TOS, I think it's worth watching. There are only 22 episodes, you can binge the whole thing in a day or two. But if you want a guide to the truly worthwhile episodes, well, here's my thoughts as a dedicated TAS fan. Six episodes out of 22 )
starlady: animated uhura: set phasers to fabulous (set phasers to fabulously awesome)
source: Star Trek (through Star Trek 2009)
audio: Death Cab for Cutie, "Grapevine Fires"
length: 4:19
download: 0.3GB on Backblaze - right or ctrl+click save as
summary: An HD remaster of [personal profile] skywaterblue's vid, which is no longer available online. [personal profile] skywaterblue passed away in 2017.

AO3 page | tumblr post | YouTube link

Lyrics on AZ Lyrics | inset comparison on Sendvid

Premiered at [community profile] vidukon_cardiff 2020, in the Vidder's Choice show.
 

 
I got to thinking about this vid about a year ago; I loved the original, and I was sad that it was no longer available online. So I decided to remaster it myself.

Here's what I said about it in the VidUKon con book:

[personal profile] skywaterblue's vid was very popular when it first came out, and it's certainly one that I've returned to repeatedly over the years. At some point a year or two ago I realized that the original vid was no longer available due to her death, and after I saw the DS9 documentary "What We Left Behind" last year, I decided to remaster the vid in HD so that viewers could continue to (re)discover it. This remaster definitely puts my own stamp on the vid, as I didn't crop anything and I altered a few clips and cuts for various reasons. (Also, so much color grading.) Overall the vid hits somewhat different in 2020 now that the original Trek timeline lives and the AOS films' future is in doubt, but I think the message about beginnings and endings in a beloved franchise resonates no matter which timeline we're in. LLAP.

This vid is a remaster, but right off the bat I made some choices that differentiate it from the original in some fairly major ways. First and foremost, I chose not to crop the various sources to match some unitary ideal (which one?); skywaterblue cropped to the widescreen DVD of the Star Trek 2009 movie, but to me the patchwork nature of Star Trek is one of the things that I love about it, and also those shots that were framed for 4:3 (or widescreen, in the case of DS9) should be what they were meant to be. This vid plays that up by including some of the HD remastered footage of Star Trek: Deep Space Nine from the DS9 documentary What We Left Behind; if you watch the side by side vid comparison, you'll see that I actually chose some slightly different clips at a few points to make that possible. There are also a few points where the original vid had stray or blank frames, or some very short clips which I excluded in order to spend more time on the more important shots. I spiced up the Captain Proton footage with a reverse iris transition, straight out of Flash Gordon, but I ignored a lot of the apparently Vegas-induced two second transitions between clips. I also did not replicate the old magnetic tape splice transitions.

There's also quite a lot of color grading in this vid. I matched all of the DS9 clips to the What We Left Behind HD shots, as those clips' color grading was personally supervised by the DP for S3-S7 of the show. (I didn't match the TNG shots to anything, as they are all from the Blu-Ray restoration. Having no standard for Voyager, I left those clips alone too.) I also matched all of the Blu-Ray footage from the TOS and TNG movies to the DVD footage that skywaterblue used in her vid, as this thread from TrekCore on Twitter pointed out just how ghastly the color grading is on the Blu-Ray transfers. (Okay, it could be worse. But it's uniformly that paler washed out blue in the original movies, while the TNG movies make everyone look orange.) Very late in the game I also noticed that the aspect ratio was off in the "Trials and Tribbleations" clips and managed to fix it, which was gratifying. All remaining errors and infelicities are, of course, my own. LLAP.
starlady: animated uhura: set phasers to fabulous (set phasers to fabulously awesome)
source: Star Trek: Discovery
audio: Billie Eilish, "bury a friend"
length: 3:04
download: 238MB on Dropbox

summary: What do you want from me? Why don't you run from me?
What are you wondering? What do you know?
Why aren't you scared of me? Why do you care for me?
When we all fall asleep, where do we go?


AO3 page
| tumblr post | YouTube link

Lyrics on AZ Lyrics

A Festivids treat for [personal profile] kuwdora.
 

 
 
I love Discovery, and I honestly started thinking about vidding this song to mirror!Georgiou when I first heard it about a year ago. It's that what do you want from me question that got me, in conjunction with how quickly she finds her feet in our universe. Long live the emperor.
starlady: That's Captain Pointy-Eared Bastard to you. (out of the chair)
Picard is out! I liked it, with some qualifications, and I was very glad that I rewatched quite a lot of Star Trek over the past week or so to prepare. For my own records and for anyone else who feels the need to review, here's what I watched, with notes.

I've watched a lot of Trek recently )
starlady: David 8 holding the holographic Earth in wonderment. (when there is nothing in the desert)
So I went to see What We Left Behind, the Deep Space Nine documentary, last month, and I really liked it. I also wrote this fic as soon as I got home. It spoils the documentary very heavily, and yes, it is possible to spoil a documentary about a TV show that ended twenty years ago, YOU HAVE BEEN WARNED.

The Spy Who Loved Me (2796 words) by starlady
Chapters: 2/2
Fandom: Star Trek: Deep Space Nine, Star Trek
Rating: Teen And Up Audiences
Warnings: Major Character Death
Relationships: Julian Bashir/Elim Garak, Julian Bashir/Ezri Dax
Characters: Julian Bashir, Elim Garak
Additional Tags: Section 31, Spoilers for What We Left Behind, Post-Canon, Alternate season 8
Summary: Garak meets someone he was and wasn't expecting.
starlady: don't fuck with nurse chapel (nurses are awesome)
source: Star Trek: Discovery
audio: Yeasayer, "Rome"
length: 3:49
download: 295MB on Dropbox
summary: Alea iacta est. Or, Gabriel Lorca crosses the Rubicon.

AO3 page | tumblr post

My [community profile] vidukon_cardiff premiere. Also, my 50th vid since January 2005, when I posted my first AMV online.

 
 

Vimeo password: rubicon
 

Lyrics on AZ Lyrics



My roommate: "You realize you're the only person who likes Lorca."
Me: "Nuh-uh! Me and [personal profile] lizbee makes two!"

I recognize that liking Lorca is a character flaw, but here we are anyway. He's got his problems as a captain, but he's pretty darn effective! If only he weren't secretly impersonating his hapless prime universe counterpart. If only he didn't have his own agenda about crossing back over to the mirror universe and overthrowing Emperor Georgiou! If only.
starlady: (crew)
I managed to avoid being spoiled for the ending, which I'm glad about. 

The future is not yet written )
starlady: (crew)
*shows up fifteen minutes late with raktajino*

I've been rewatching bits of season 1 of DSC, and keeping up with season 2, and…I have a lot of thoughts and feelings about Star Trek. It's been a while since I've had a lot of feelings about Star Trek. Rewatching the first season now, I find myself having a lot of thoughts about Lorca, and the way that it's increasingly clear that the first two seasons were designed to complement each other.

Thoughts about Lorca, Star Trek, and the mirror universe )
 
starlady: Mako's face in the jaeger, in profile (mako mori is awesome)
The vids are live in the first [community profile] equinox_exchange; you can view the entire collection of 54 new vids on the Archive.

I made one vid. I think it is very obvious, but I have never yet been successfully guessed on the Festivids guessing posts. Maybe you can break the streak via the Equinox guessing post.

I have not had much time to browse the collection because I was marching for science yesterday. It was a nice day in San Francisco, not too sunny but not too cold. As well as knowing again that we weren't alone, it was nice to know that for a few hours we were exactly where we should be. Also, we ate delicious tacos at the Ferry Building.

I received two vids, both for Deep Space Nine:

I Lived (4 words) by Anonymous
Summary: Hope if everybody runs, you choose to stay.

and

Pundits and Poets (3 words) by Anonymous
Summary: xoxoxoxo

They are both extremely heart-warming. ♥
starlady: (crew)
source: Star Trek Beyond
audio: Kesha, "We R Who We R"
length: 3:26
download: 202MB on Dropbox
summary: We'll do what we always do, Jim.

My spring 2017 [community profile] equinox_exchange assignment, for [personal profile] usuallyhats.

AO3 page | tumblr





I love this dumb movie, and I had vague thoughts about how much it parallels the under-appreciated by wonderful Star Trek III. Those thoughts are not in this vid explicitly because making this vid took an unexpected amount of time, what with one thing and another, including politics. But they do underlie it (if you liked this movie, you should go rewatch Star Trek III, because there are a lot of parallels and also STIII is delightful) in various ways. 

Other than that, it does (I hope) what it says on the tin. The technical process was a bit nightmarish this time around, not helped by jetlag; I was about 1/3 of the way through clipping a 720p release when I freaked out about clip quality and decided I needed to use 1280. (Also, my video card is slowly dying.) I was about 80% of the way through reclipping before I realized that I could just use the existing clips and only redo whatever I wound up actually using in the vid. Then I wound up using quite a few bits from clips I hadn't redone because that section was the part where the Enterprise crashes on the planet. Whoops. My outlining process also failed me, because I hadn't written down my initial thoughts when I'd had them last summer, so I only had vague notions when I got to actually vidding, and I wound up obsessively recutting the first section before I found a rhythm I liked. The real breakthrough came when I did the stutter cuts on the first chorus. Thanks Kesha.
starlady: Peggy in her hat with her back turned under the SSR logo (agent carter)
My roommates have been making their way through the middle three Star Trek series (they're not watching ENT like sensible people and I can't convince them to watch TOS, like highly illogical people), and the penny has finally dropped for me that DS9 is in many ways (particularly in the first three seasons) playing off B5, while VOY is playing off Farscape. Or rather, both VOY and Farscape are dealing with very similar setups and issues, but Farscape explicitly goes about dealing with masculinity in a way that VOY just…doesn't, in the initial seasons. Masculinity and its fragility are consistent problems on Voyager, and Janeway and Torres (and to a lesser extent Kes and even Seska) are consistently forced to deal with the problems they cause, but VOY doesn't really do anything about them the way Farscape does; the Star Trek show treats the symptoms rather than the root causes.

In so many ways I'm glad they made DS9 when they did, because they could never make it now, but for VOY it's just the opposite, and I really wish it had been made in this era rather than 20 years ago.

ETA: And of course Stargate: Atlantis is the unification of both these strands of sci-fi: space station + we've been flung to the far side of the [$very large unit of space]. Note, of course, that neither SGA nor VOY could maintain that isolation forever.

starlady: Raven on a MacBook (Default)
The Kickstarter for Star Trek: Renegades episodes 2 & 3 is in its final days and still needs about $46,000 to meet its goal.

The first episode is available to watch in its entirety for free on YouTube. The series, which is independent and fan-funded, takes place in the original universe approximately ten years after the events of Nemesis.



You can back the Kickstarter at a variety of levels and help make the next phase of Star Trek happen!
starlady: don't fuck with nurse chapel (nurses are awesome)
source: Star Trek: The Animated Series
audio: They Might Be Giants, "There's a Great Big Beautiful Tomorrow"
length: 2:01
download: 48MB mp4 | .srt subtitles
summary: Man has a dream, and that's the start: the final frontier is still out there, just a dream away.

AO3 page | tumblr post

My [community profile] wiscon_vidparty 2015 premiere.



Notes )
lyrics )
starlady: Kirk surrounded by tribbles: "What the crap is going on here?"  (kirk)
My sister and I went up (out) to Portland this weekend to see Trek in the Park, which is concluding its five-year mission this summer with The Trouble with Tribbles.  We had a really good time! I have missed her. 

Of course we went to Powell's on Friday night, and I was proud of myself for exercising restraint (I still have books from my first trip to Powell's four years ago that I haven't read) and only buying one book. We saw Only God Forgives at the theater across the street, which was…interesting. The colors were beautiful, and the story was interesting too. My sister loved it, and though I was not as enthusiastic, it was still cool. 

On Saturday we went to the coast, specifically Astoria at the point of the state, where we saw the Goonies house, and heard seals in the harbor but did not see them, and then down to Cannon Beach, where One-Eyed Willy's treasure is, somewhere. It got sunny by the time we got there, and we walked on the beach to see the famous rock, which was cool. We also had the Oregon version of salt water taffy, which is just sad, and tried the sea salt chocolate caramel apples. Too much sea salt. We also found a coffee shop with very tasty Aztec Mochas, and had a chestnut cream/banana crepe. If there's one thing I've learned about shore towns the world over, it's that they're all fundamentally the same, and it was fun. We also finally got to Lemongrass, a Thai restaurant in a house, and it was delicious. We drove around the fancy houses in the west hills before winding up at a fancy cocktail bar downtown, because what else was there to do.

Yesterday we got up and went to Slappy Cakes, and it was delicious, as usual. (Think Benihana except you're cooking the food yourself and it's breakfast.) We had to eat at the bar because it was so busy, so we were not able to cook our own pancakes, but it was still delicious. We went to Extracto Coffee both days. Our consensus is that it is probably the best coffee in Portland. 

Then we went to Pencil Test, which is a bra shop Spike had heard about at Reed, and got fitted for bras. Bras that fit! What a miracle! It really is true that Victoria's Secret bras do not actually fit most women well. So now we know what sizes we are in various brands, and can begin the slow process of replacing our VS bras with ones that fit. 

It has become something of a tradition for us to drive out to The Bird Hut to see the birds, so we did that (Spikeo was making friends with a rose cockatoo, unsurprisingly; they were both pink) and then drove way the hell out to Cathedral Park in North Portland. We got there at two for a five o'clock show to get good seats, because as I said, I didn't come all this way to get bad seats. One of Spike's friends showed up at about quarter to three and we sat around and hang out and drank his homebrewed beer before the show started. 

Trek in the Park! It was so great. The cast was good, and we could hear decently well, and the costumes and effects and music were very well done. A very minor thing that I enjoyed a lot was that Admiral Fitzpatrick was played by a woman, and that one of the security officers was female too, although I was sad that the helmsman (who apparently has no lines in The Trouble with Tribbles) was played by a white dude. I thought that Kirk, Scotty, and Chekov were the best among the lead cast members, although Uhura was awesome too; she just has too few lines in general. Spock was also good, though it seems clear that Gerrold was writing specifically for Nimoy's very arch delivery style, which this guy didn't quite achieve. But the scene with the tribbles in the storage compartments was amazing and hilarious (they just kept falling on Kirk's head!), and it had been long enough that I'd forgotten the denouement with the Klingon spy at the end, and it was really great, and I got a very nice T-shirt to commemorate the whole thing afterward. Long live Trek. Go boldly. 

And finally last night after eating Japanese food and going back to Powell's we wound up at Ruby Jewel Scoops, which is very tasty artisan Portland ice cream. This morning we got up very early (especially considering that my flight has been delayed an hour) and went to the airport, and so a good time was had by all. 
starlady: animated uhura: set phasers to fabulous (set phasers to fabulously awesome)
Ford, John M. The Final Reflection. New York: Pocket Books, 1984.
---------. How Much for Just the Planet? New York: Pocket Books, 1987.

I went on a Trek novels binge in 2009 after the first new Trek movie came out, and I did a mini-binge on these two John M. Ford classics before I went to see the abomination that is Into Darkness. I'd read How Much for Just the Planet? in middle school, probably the summer that I took Star Trek paperbacks out of the library by the shopping bag, but not The Final Reflection, before. You think I'm joking.

My friend [personal profile] epershand really likes John M. Ford, so I've accumulated a stack of his books either via her telling me "You must buy this book!" or my buying his books in used stores automatically. This time around I appreciated HMfJtP? much more, partly because I know a bit more about musical theater than I did then and partly because I can now identify all of the people making cameos. I also appreciated several of the meta-jokes, including the veiled but strong implication that Kirk was at one point in the closet. It's a fun, and funny, read.

I hadn't read The Final Reflection before, but it's really excellent: it does for the Klingons what Diane Duane's Rihannsu sequence does for the Romulans, and that is just about the highest praise I can give. I've heard anecdotally that Paramount changed the requirements for Star Trek novels such that it was no longer possible to write a novel in which one of the main crew members wasn't the central protagonist, as is the case with this book, which is too bad, because it's awesome. The main Klingon character is entirely sympathetic and the plot is appropriately twisty, and all in all, it's pretty great.

That said, what I also found interesting about both books was the many assumptions Ford makes in both books about the shape of the 23rdC. In both books he takes the Organian Treaty seriously, for one thing, which is notable because it's something that most of Star Trek has consistently failed to do. But the biggest of these assumptions was the idea that there would still be a glass ceiling in Starfleet, and some lingering sexism in society in general; in comparison, the assumptions about the various forms of technology (magnetic tapes! LOL) are small potatoes, though the protesting mobs on Terra in The Final Reflection are all too depressingly realistic. Ford's vision of the future, in other words, is simultaneously both dated and prescient.

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