source: Ex Machina (2015)
audio: The Dresden Dolls, "Coin-Operated Boy"
length: 4:03
download: 180MB mp4 on mediafire
summary: Love without complications galore/Isn't that the point?
note: contains self-harm and graphic violence
A Festivids 2015 treat for![[personal profile]](https://www.dreamwidth.org/img/silk/identity/user.png)
winterevanesce.
Original Festivids post
Vimeo password: festivids
I thought Ex Machina was one of the best movies of 2015; moreover, I thought it was extraordinarily feminist (albeit with a dude as the POV character, sigh). In my opinion, people's reactions to the movie come down to whether or not they think the filmmakers were doing it intentionally; I think they were--the intelligence of the movie is palpable in every frame, starting with the cinematography--and this vid is my argument for the same thesis. It turns on the insight that there is no meaningful difference between Caleb and Ava; he is no less "coin-operated" than she is. He just responds to different inputs. (Relatedly: a good chunk of the point of the Turing Test is that humans are really bad at distinguishing cognition from random responses, or vice versa. We'll anthropomorphize any damn thing but also withhold recognition of sentience based on our own misplaced pride in our vaunted intelligence.)
And yes, it's The Dresden Dolls, with Amanda fucking Palmer singing the lead vocals. I thought long and hard about whether I wanted to accept the cost of people potentially pre-judging the vid purely on the basis of the song, and then decided that I did; Sady Doyle actually wrote a piece on AFP in 2014 that changed my thinking about the reaction to her, if not to Palmer herself; it opens with the line "What, exactly, did we prove by hating Amanda Palmer?" and proceeds to make some valuable points from there. It's a good song (although I cut it down pretty radically, in Audacity, which was way better than Premiere, thank you vidders' census), and it makes the points I wanted the song for the vid to make.
As for the vid itself, the cropping gave me fits (I still haven't actually solved it; it just looks solved) and I actually re-edited the song twice; this was another vid where I went non-linear to get the thing done, as I hit a wall after the end of the first chorus and had to start building back from the end to stay on schedule and to figure out what I needed to do in the middle: I knew the bridge would be Ava POV, but not how or what. Again, I did the credits in the middle of the process. The Donna Haraway quote occurred to me while I was laying down text layers, and it seemed to be the perfect way to encapsulate the vid and my interpretation of the movie, and Ava's actions: I would rather be a cyborg than a goddess.
I wanted to do a POV switch/reveal in the middle of the vid a la the great BSG vid Who Knew, but after laying down the last part of the vid I realized that the movie just doesn't have enough footage for me to do that effectively. I still think of the whole vid as being from Ava's perspective; she is definitely the "I" who manipulates everyone into gaining her freedom. In the end, she passes the Turing test with flying colors.
( Lyrics )
audio: The Dresden Dolls, "Coin-Operated Boy"
length: 4:03
download: 180MB mp4 on mediafire
summary: Love without complications galore/Isn't that the point?
note: contains self-harm and graphic violence
A Festivids 2015 treat for
winterevanesce.Original Festivids post
Vimeo password: festivids
I thought Ex Machina was one of the best movies of 2015; moreover, I thought it was extraordinarily feminist (albeit with a dude as the POV character, sigh). In my opinion, people's reactions to the movie come down to whether or not they think the filmmakers were doing it intentionally; I think they were--the intelligence of the movie is palpable in every frame, starting with the cinematography--and this vid is my argument for the same thesis. It turns on the insight that there is no meaningful difference between Caleb and Ava; he is no less "coin-operated" than she is. He just responds to different inputs. (Relatedly: a good chunk of the point of the Turing Test is that humans are really bad at distinguishing cognition from random responses, or vice versa. We'll anthropomorphize any damn thing but also withhold recognition of sentience based on our own misplaced pride in our vaunted intelligence.)
And yes, it's The Dresden Dolls, with Amanda fucking Palmer singing the lead vocals. I thought long and hard about whether I wanted to accept the cost of people potentially pre-judging the vid purely on the basis of the song, and then decided that I did; Sady Doyle actually wrote a piece on AFP in 2014 that changed my thinking about the reaction to her, if not to Palmer herself; it opens with the line "What, exactly, did we prove by hating Amanda Palmer?" and proceeds to make some valuable points from there. It's a good song (although I cut it down pretty radically, in Audacity, which was way better than Premiere, thank you vidders' census), and it makes the points I wanted the song for the vid to make.
As for the vid itself, the cropping gave me fits (I still haven't actually solved it; it just looks solved) and I actually re-edited the song twice; this was another vid where I went non-linear to get the thing done, as I hit a wall after the end of the first chorus and had to start building back from the end to stay on schedule and to figure out what I needed to do in the middle: I knew the bridge would be Ava POV, but not how or what. Again, I did the credits in the middle of the process. The Donna Haraway quote occurred to me while I was laying down text layers, and it seemed to be the perfect way to encapsulate the vid and my interpretation of the movie, and Ava's actions: I would rather be a cyborg than a goddess.
I wanted to do a POV switch/reveal in the middle of the vid a la the great BSG vid Who Knew, but after laying down the last part of the vid I realized that the movie just doesn't have enough footage for me to do that effectively. I still think of the whole vid as being from Ava's perspective; she is definitely the "I" who manipulates everyone into gaining her freedom. In the end, she passes the Turing test with flying colors.
( Lyrics )