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I went to see Janelle Monáe at the Bill Graham last night with some friends--the same friends with whom I saw her absolutely rocking Electric Lady tour show at the Warfield ten years ago. (Ten years?!) The first time I saw her was thirteen years ago, when the pot at the concerts here still phased me (lol). The Bill Graham is a weird venue, and it's not any less weird from the top of the seating section than it is from the GA floor, which is where I saw Fall Out Boy.
It was a great show, with many costume changes, amazing performances, and above all Monáe and their amazing, transcendent voice. I said a long time ago that she reminded me of Prince, and that's even more true now that her shows have really dialed up the sexuality element. But I don't love the new album as much as I loved their earlier work, and Dirty Computer was still way more my jam than the beach record vibes of The Age of Pleasure. (I don't remember why I missed her Dirty Computer tour stop. Alas.) I'm glad I went, but it was impossible not to notice how much the vibe at the shows has shifted along with her music. And this is a good thing! I'm glad she's getting popular and that more people are discovering her music because she absolutely rocks. And I'm glad she's going where she wants to go on her journey, musically and personally. But I loved the Metropolis suites project the most, and they will probably never finish it, and that's okay but a little sad for me personally. If they would at least re-release The Audition for the first time ever, I would be content--I heard about it not long after I first heard Metropolis, but even then it was already impossible to buy--I think they only ever made 500 copies. I really need to read The Memory Librarian--she came down into the crowd for a bit and one of the people next to her had their copy of the book!
All that said, if you'd asked me what the secret third encore song would be, there's no way I would have picked "Mushrooms and Roses," but it was and it was awesome. But next time I'll probably put in some quality listening time with the new album before I plunk down the ducats for a ticket to the show.
It was a great show, with many costume changes, amazing performances, and above all Monáe and their amazing, transcendent voice. I said a long time ago that she reminded me of Prince, and that's even more true now that her shows have really dialed up the sexuality element. But I don't love the new album as much as I loved their earlier work, and Dirty Computer was still way more my jam than the beach record vibes of The Age of Pleasure. (I don't remember why I missed her Dirty Computer tour stop. Alas.) I'm glad I went, but it was impossible not to notice how much the vibe at the shows has shifted along with her music. And this is a good thing! I'm glad she's getting popular and that more people are discovering her music because she absolutely rocks. And I'm glad she's going where she wants to go on her journey, musically and personally. But I loved the Metropolis suites project the most, and they will probably never finish it, and that's okay but a little sad for me personally. If they would at least re-release The Audition for the first time ever, I would be content--I heard about it not long after I first heard Metropolis, but even then it was already impossible to buy--I think they only ever made 500 copies. I really need to read The Memory Librarian--she came down into the crowd for a bit and one of the people next to her had their copy of the book!
All that said, if you'd asked me what the secret third encore song would be, there's no way I would have picked "Mushrooms and Roses," but it was and it was awesome. But next time I'll probably put in some quality listening time with the new album before I plunk down the ducats for a ticket to the show.
(no subject)
Date: 2023-10-19 14:28 (UTC)D'you mean that folks don't drown in pot in venues elsewhere? How novel. :) (Seriously, I've been to rock/etc. shows only in LA and the Bay Area--provincial. Much pot before the medical provision, too.)
(no subject)
Date: 2023-10-19 17:22 (UTC)But the crowds here generally get way less into shows than they do other places I've lived and seen shows. I always thought that artists telling us how much they loved Philly was just buttering us up until I moved here and the difference was palpable. But the crowd was very into this show, up in the balcony and not just on the floor, which is always great. And she said how much she loved us and how San Francisco has always had her back at the end, which also felt great.
(no subject)
Date: 2023-10-20 01:48 (UTC)But the crowds here generally get way less into shows
Yeah, I've heard that a bunch. SF definitely had Sleater-Kinney's back when I saw them there, but sometimes things have been a bit tepid in LA/SF (even for me, and I kind of prefer less intense shows, on balance).
(no subject)
Date: 2023-10-20 01:33 (UTC)(no subject)
Date: 2023-10-24 05:02 (UTC)