starlady: Korra looks out over Republic City (legend of korra)
source: X-Men (alternate timeline movies)
audio: Eurythmics, "Missionary Man"
length: 03:47
download: 257MB on Dropbox
summary: You can fool with your brother, but don't mess with a missionary man. Or, Raven is the leader the X-Men need.

Premiered at Escapade 2018.

tumblr | AO3



 


I find it kind of on-brand that I spent a solid four years in X-Men fandom as a devoted Cherik shipper, and the first vid I produce is about Raven. But once I saw XMA there was really no question that I needed something 80s for her, and I am pleased with how this vid turned out. The Eurythmics were my favorite band until I was about 12, and they're still one of my favorites.

Lyrics )
starlady: Kermit the Frog, at Yuletide (yuletide)
source: Hogfather
audio: Sufjan Stevens, "Get Behind Me, Santa!"
length: 2:48
download: 64MB on Dropbox
summary: It's just another solar festival. Or is it?

AO3 | tumblr


I've had this idea in mind for at least five years. When I saw [personal profile] mithborien's request, I knew I had to seize the opportunity. I am an unabashed fan of Christmas, and I wanted to make a vid that got at that aspect of the movie. Also, Susan is the best.

Clipping soon presented a series of challenges: my ancient avi files (!) had weird issues, and I discovered midway through that they were, collectively, missing about 45 minutes of the movie. A search for full-length rips of the movie eventually resulted in ripping them off YouTube, as my computer couldn't deal with the copy protection on the DVDs and the Blu-ray links I found were all dead. I had thought about remastering the vid so that all the clips were from the YT version of the file, but closer viewing showed not much difference between them. 

The other thing that clipping demonstrated was just how much of the movie is talking. I decided to trim the song down rather than try to fill the very long bridge with material that very probably would have gotten repetitive. It also became clear to me that I wasn't going to make the treat deadline with the full vid, so I uploaded a much shorter version for the deadline in order to give myself time to finish the full version, which is the one you see here. 

Happy Hogswatch to all, and to all, a good night.
starlady: Peter, Susan, Edmund & Lucy foment a revolution in Narnia (once & always a king or queen in narnia)
source: The Chronicles of Narnia movies
audio: Florence & the Machine, "Heartlines"
length: 5:01
download: 223MB on Dropbox
summary: Your heart is the only place that I call home,/I cannot be returned.

AO3 | tumblr



I've had the idea for this vid for a long time. I…thought [personal profile] silly_cleo might not like it? (I always think this.) She mentioned not liking the movies as adaptations, and I have to say that I love the movies as adaptations. The compromise I came up with was hewing fairly close to movie depictions of events in the books, which got complicated in terms of The Voyage of the Dawn Treader in particular. 

A lot of people commented on the vid having Lucy as a kind of loose POV character, which…is another thing I did not anticipate. I did the intro section with Lucy dead last, so for me the vid was about stepping back to the origin of Narnia for the Pevensies, their lost Golden Age, and going backward and forward from there. 

Finally, you may have noticed that there is not a ton of Aslan in this vid. That is not an accident either; I am not really a huge fan of Aslan anymore. My favorite Narnia fic of all is [personal profile] bedlamsbard's Dust in the Air, which should tell those of you who've read it (and who know how it was supposed to end) something about my ideal vision of Narnia. 
starlady: Mako's face in the jaeger, in profile (mako mori is awesome)
source: The Clone Wars
audio: Daft Punk, "C.L.U. (Paul Oakenfold remix)"
length: 4:40
download: 217MB on Dropbox
summary: Beware the dark side. 

My 2017 Club Vivid premiere! 



tumblr | AO3


I watched all of The Clone Wars over the course of the past eight months or so--the (re)watch was originally scheduled to coincide with the release of Rogue One, but then November happened. Somewhere around October, I realized that I wanted to make a vid about the show, and that I wanted to use this track. This is the easier vid to make from the show; its complex exploration of sentience, personhood, and free will playing out with the clones and the droids is more difficult. I also decided fairly early on that I wanted to make this vid by colors--the lightsabers go from blue to green to red by the end of the vid, just like the galaxy slides further into chaos and the fall of the Jedi and the Republic. The black darksaber, something of a wild card in the morality play of the lightsaber color codes, appears at the beginning, middle, and end. 

I'm really happy with how this vid turned out. It was a fairly easy vidding process, possibly because I was using an extensive spreadsheet and because the realities of who fought who meant that I was somewhat constrained in my clip choices at each point through the timeline, until I hit the wall of trying to find copies of episodes that weren't TV rips with logos and started tearing my hair out. Anyway. May the Force be with you.
starlady: (bibliophile)
Years after everyone else, I have uploaded all of my vids to my YouTube channel. All of them, that is, except the remasters and the ones that have been copy-blocked globally. I will continue to do Vimeo under password uploads for all my vids so that people in Germany can watch them, and in case of further copyright jail shenanigans on future vids.



A number of people have asked me about this for the past few years, and with the way vidding is shifting, it seemed like the thing to do. To celebrate, I have embedded my most recent and most popular vids on this entry. 


It's mostly true that I make vids for myself, but I do enjoy other people enjoying them. Feel free to subscribe to the channel, and if you feel like watching or liking the vids on this new platform (or reblog on the old tumbleweed), that would not be unappreciated by me.

One final note: I will add YouTube links to the old vid posts as time and 2017 allow.
starlady: (bibliophile)
source: Yuri!!! on Ice
audio: CHVRCHES, "Clearest Blue"
length: 3:54
download: 229MB on Dropbox
summary: Will you meet me more than halfway up?

Premiered at [community profile] vidukon_cardiff 2017.

tumblrAO3



Vidding TV shows is so much work. I was cutting this one until about two hours before the deadline, exacerbated by the fact that the Blu-Ray of the last volume came out literally the day before the deadline. I initially used a low quality rip of the creditless ending and was resigned to a different version online than on the con DVD, but then due to some serendipitous technical difficulties, resolved at length by the very patient and excellent con staff, I actually was able to get a file with a high quality rip of the ending into the con--of course it came out less than 24 hours after said deadline. (If I ever get access to Blu-Ray rips, I may remaster it, just because they changed so much for the disc releases.)

As for the vid itself…I had this song in mind since about January. Yuuri and Victor love each other a lot, okay, and they meet each other in the middle, eventually, every time.

Lyrics
starlady: Mako's face in the jaeger, in profile (mako mori is awesome)
source: Tomorrowland
audio: Passion Pit, "Lifted Up (1985)"
length: 4:24
download: 258MB on Dropbox
summary: I won't lie, I knew you'd belong here.

My [community profile] wiscon_vidparty premiere!



I don't watch movies on planes; I'm the creeper who eyeballs your movie while you're watching a movie on planes. I caught enough of this one in flight at one point, though, that I actually watched the rest of it when I couldn't sleep on another flight.
There's no point beating around the bush: Tomorrowland is a compelling movie with bad pacing and execrable politics, but it's also a movie where two girls save the world, one of whom is a robot. (George Clooney helps.) I wanted to make a vid about that part of the movie, less about Brad Bird's weird elitism and despair. The song choice seemed almost too obvious, but on the other hand, I like it.

Weirdly, this is the second vid I've made for Wiscon with a Disney connection, the first being Just a Dream Away. Making this vid also helped me to realize that the movie has already been influential at the level of visuals: Yorktown in Star Trek Beyond, last seen in my [community profile] equinox_exchange vid We Are Who We Are, is almost a carbon copy of the city in this movie, right down to some of the camera angles. I had originally hoped to make this as a Festivids treat, and then November happened. At least I can now go watch the Festivid that did get made for the movie.

One of the things I like about vidding is that it's changed the way I watch movies and it changes the way I think about the sources I vid. Towards the end of making this one I started thinking that they should have cast Casey as not white, which cemented my ambivalence about the entire film. (It wouldn't work, of course, because Brad Bird not so secretly fears the postmodern present, which is why his vision of Tomorrowland is anchored in the late 19thC and the high water mark of the modern, the 1964 World's Fair.) In conclusion, Star Trek does it better. Onward.
starlady: (crew)
source: Star Trek Beyond
audio: Kesha, "We R Who We R"
length: 3:26
download: 202MB on Dropbox
summary: We'll do what we always do, Jim.

My spring 2017 [community profile] equinox_exchange assignment, for [personal profile] usuallyhats.

AO3 page | tumblr





I love this dumb movie, and I had vague thoughts about how much it parallels the under-appreciated by wonderful Star Trek III. Those thoughts are not in this vid explicitly because making this vid took an unexpected amount of time, what with one thing and another, including politics. But they do underlie it (if you liked this movie, you should go rewatch Star Trek III, because there are a lot of parallels and also STIII is delightful) in various ways. 

Other than that, it does (I hope) what it says on the tin. The technical process was a bit nightmarish this time around, not helped by jetlag; I was about 1/3 of the way through clipping a 720p release when I freaked out about clip quality and decided I needed to use 1280. (Also, my video card is slowly dying.) I was about 80% of the way through reclipping before I realized that I could just use the existing clips and only redo whatever I wound up actually using in the vid. Then I wound up using quite a few bits from clips I hadn't redone because that section was the part where the Enterprise crashes on the planet. Whoops. My outlining process also failed me, because I hadn't written down my initial thoughts when I'd had them last summer, so I only had vague notions when I got to actually vidding, and I wound up obsessively recutting the first section before I found a rhythm I liked. The real breakthrough came when I did the stutter cuts on the first chorus. Thanks Kesha.
starlady: Peggy in her hat with her back turned under the SSR logo (agent carter)
source: Haywire (2011)
audio: Grimes, Kill V. Maim
length: 4:07
stream: on Vimeo
download: 253MB on Dropbox
summary: You gave up being good when you declared a state of war

My Festivids 2016 assignment, for [personal profile] aurumcalendula.

Original Festivids post.


password: mobster


Tag yourself, I'm gender-based revenge fantasies.

I've been wanting to vid this song for a while, in fact since I first heard it riding the trains around Belgium in the dying days of 2015. I originally matched with aurumcalendula on a different fandom, but the idea fell into my lap when I was reading the letter, and since it seemed easier (and more in line with my mood in November 2016, I won't lie), I went with it. I was planning on including more covert operative type stuff, but it turned into a vid of Gina Carrano beating the shit out of men, and I'm okay with that.

Technically, I psyched myself out over the bridge of the song for more than a week and actually wound up cutting a version of the song that was nearly 1:20 shorter in Audacity. I even laid it on the timeline, but by that point it was clear that there was enough footage of Gina Carrano fighting dudes that it wasn't necessary. I'm always, always convinced that I won't have enough material, and then I hit the 2/3 mark of the vid and I'm like, "…Oh, this is going to be fine." I toyed with the idea of trying to correct Steven Soderbergh's extremely self-indulgent camerawork, just as I toyed with the idea of just rearranging the movie so that the vid ran in strict chronology, but ultimately rejected both of them.
starlady: Holmes and Watson walking around New York (springtime in new york)
source: A Dorothy L. Sayers Mystery (1987)
audio: Scala & Kolacny Brothers, "Heroes"
length: 3:20
download: 27MB on Dropbox
summary: We can be us, just for one day

A Festivids 2016 treat for josette-arnauld.

Original Festivids post



I devoured Dorothy L. Sayers' Peter Wimsey novels last year and was blabbering about them to my roommate (who had only read the Vane novels); I convinced her to read the rest of the books and she showed me the Petherbridge/Walters miniseries. The casting is divine, but the adaptations start out good with Strong Poison and go downhill from there. This is my love letter to Harriet and Peter, though it's not the vid I initially envisioned because the footage just doesn't exist, from a combination of the exigencies of BBC budgets (minimal) and the bad choices made in the adaptation of Gaudy Night, which rob the story of a lot of its political heft. Peter and Harriet, of course, rise above such issues, mostly because Petherbridge and Walters rewrote their scenes wholesale on set. Their relationship--the fact that they find each other, and are able to become the versions of themselves who are able to hold onto each other through each other's influence--is an achievement, and it would be so even in this day and age, even more so in the 1930s.

Technically, vidding with footage this old was…interesting. I thought about trying to correct it, but the light levels are mostly tolerable (I did alter the light levels in the courtroom scenes for visibility) and in the end I lost my vidding energy for all of November, which obviated that possibility. (Fun fact: I finished the first draft of this vid on a plane on Halloween.)
starlady: Uryuu & Ichigo reenact Scott Pilgrim (that doesn't even rhyme)
source: Mission: Impossible - Rogue Nation
audio: Kesha, "Out Alive"
length: 3:30
download: 189 MB mp4 on dropbox
summary: No one makes it out alive without friends.

My first Club Vivid premiere!
tumblr post



Notes )
starlady: Mako's face in the jaeger, in profile (mako mori is awesome)
source: Interstellar
audio: Vienna Teng, "The Breaking Light ft. Alex Wong"
length: 4:19
download: 266MB mp4 on dropbox
summary: “Speaking of ways, pet, by the way, there is such a thing as a tesseract.” ― Madeleine L'Engle, A Wrinkle in Time

My [community profile] wiscon_vidparty premiere!



Notes and lyrics )
starlady: David 8 holding the holographic Earth in wonderment. (when there is nothing in the desert)
source: Ex Machina (2015)
audio: The Dresden Dolls, "Coin-Operated Boy"
length: 4:03
download: 180MB mp4 on mediafire
summary: Love without complications galore/Isn't that the point?
note: contains self-harm and graphic violence

A Festivids 2015 treat for [personal profile] winterevanesce.

Original Festivids post
 


Vimeo password: festivids



I thought Ex Machina was one of the best movies of 2015; moreover, I thought it was extraordinarily feminist (albeit with a dude as the POV character, sigh). In my opinion, people's reactions to the movie come down to whether or not they think the filmmakers were doing it intentionally; I think they were--the intelligence of the movie is palpable in every frame, starting with the cinematography--and this vid is my argument for the same thesis. It turns on the insight that there is no meaningful difference between Caleb and Ava; he is no less "coin-operated" than she is. He just responds to different inputs. (Relatedly: a good chunk of the point of the Turing Test is that humans are really bad at distinguishing cognition from random responses, or vice versa. We'll anthropomorphize any damn thing but also withhold recognition of sentience based on our own misplaced pride in our vaunted intelligence.)

And yes, it's The Dresden Dolls, with Amanda fucking Palmer singing the lead vocals. I thought long and hard about whether I wanted to accept the cost of people potentially pre-judging the vid purely on the basis of the song, and then decided that I did; Sady Doyle actually wrote a piece on AFP in 2014 that changed my thinking about the reaction to her, if not to Palmer herself; it opens with the line "What, exactly, did we prove by hating Amanda Palmer?" and proceeds to make some valuable points from there. It's a good song (although I cut it down pretty radically, in Audacity, which was way better than Premiere, thank you vidders' census), and it makes the points I wanted the song for the vid to make.

As for the vid itself, the cropping gave me fits (I still haven't actually solved it; it just looks solved) and I actually re-edited the song twice; this was another vid where I went non-linear to get the thing done, as I hit a wall after the end of the first chorus and had to start building back from the end to stay on schedule and to figure out what I needed to do in the middle: I knew the bridge would be Ava POV, but not how or what. Again, I did the credits in the middle of the process. The Donna Haraway quote occurred to me while I was laying down text layers, and it seemed to be the perfect way to encapsulate the vid and my interpretation of the movie, and Ava's actions: I would rather be a cyborg than a goddess.

I wanted to do a POV switch/reveal in the middle of the vid a la the great BSG vid Who Knew, but after laying down the last part of the vid I realized that the movie just doesn't have enough footage for me to do that effectively. I still think of the whole vid as being from Ava's perspective; she is definitely the "I" who manipulates everyone into gaining her freedom. In the end, she passes the Turing test with flying colors.

Lyrics )
starlady: Mako's face in the jaeger, in profile (mako mori is awesome)
source: Apollo 13, Contact, Europa Report, Gravity, Interstellar, The Martian
audio: Symphony of Science, "Glorious Dawn (Cosmos Remix)" 
length: 3:38
download: 161MB mp4 on mediafire
summary: The sky calls to us/If we do not destroy ourselves/We will one day venture to the stars

Original Festivids post




A Festivids 2015 treat for [personal profile] niyalune. I saw her mention this vid as a throwaway concept in her letter…and started making the vid as soon as I finished my assignment. The reason, you see, is that I was convinced she would hate her gift vid, so I wanted to make her something that I was more confident she would like. (But then her reaction to Relations of Life was positive! As was other people's! Stranger things happen, I guess, but I honestly was not expecting it.)

This is the vid that I thought would be screamingly obvious, because I'd done the remaster of the Contact vid at the end of 2015 and this vid rather prominently features Contact. I also had the Interstellar and Europa Report clips sitting around, with the result that I only had to download and clip three additional movies, four if you count the BluRay of The Martian, which luckily came out in December. I had cam clips in the timeline for maybe about two weeks tops, and since everything was BluRay, I actually had a pretty easy time of it as far as multi-source vids go. This vid has the distinction of being the first (but assuredly not the last) for which I broke out a spreadsheet, so that I could make sure that I wasn't short-changing any of the sources, and that I was alternating them appropriately.

The song choice was obvious to me as soon as I thought about making the vid; I love the song and I love the concept, and for me there's no separating Carl Sagan from how I think about human spaceflight. I even named some of the Contact clips using some of his lines from this song while I was doing the remaster clipping way back in June, so it was a complete no-brainer to decide to use this song, cemented by my discovering that Neil DeGrasse Tyson had done promotional work for The Martian. (You should totally go watch the video, it's great.)

I was hugely tickled, and hugely flattered, to see some really great vidders guessed for this vid; I thought that the other dead giveaway would be the line at the beginning of the end titles. Star Trek fans will recognize the fade-in title card from the end of Star Trek: The Motion Picture, which also features the history of human space exploration quite heavily. I definitely approached this vid in the spirit of conscious optimism that I associate with the core of Star Trek, and I hope that comes through in the vid.

One of the greatest things about getting to see other people's reactions to the vid has been seeing what they got out of it that I hadn't thought of or didn't consciously put in there; when [personal profile] raven remarked that it was a vid that was more about the idea of exploration than fannishness, I thought, "Huh. Yeah, I guess so!" Which is to say, while I was making the vid with my spreadsheet I wanted to show people doing science; I wanted to show people looking up; I wanted to show the joy of exploration. (I wanted to show the Europa One crew smiling in a non-ominous context.) To that end I suppressed a lot of context (and a lot of doubled actors) in these movies, or just ignored it, which is especially obvious at the ending: Jim Lovell never actually walked on the moon, but he does in this vid, just as Matt Damon is watching the sunrise in the context of being convinced that he's going to die there on Mars, and Anne Hathaway believes she's as good as the last survivor of the human race, but that's not the feeling here. The Watney hope shots in the vid are as much for me as for anyone; I love space exploration, but now that I'm not a child any more I'm less blindly optimistic about the galaxyrise that Carl speaks of in the song. So the vid is an argument with myself as much as anything, and the end title is the conclusion that I wanted to make for that reason: the human adventure is just beginning. And finally, thanks to [tumblr.com profile] mrquadcopter for beta watching.

Lyrics )
starlady: Mako's face in the jaeger, in profile (mako mori is awesome)
source: Europa Report (2013)
audio: The Knife, "Epochs"
length: 4:48
stream: on Critical Commons
download: 217MB mp4 on mediafire
summary: Compared to the breadth of knowledge yet to be known...what does your life actually matter?

My Festivids 2015 assignment, for [personal profile] niyalune.



Original Festivids post

This is, hands-down hands-up no-holds-barred, the weirdest vid I have ever made. Europa Report is of course a fantastic little indie sci-five movie about the first human mission to Europa, one of the Jovian moons; I loved it since I first saw it and I routinely show it to friends to try to convert them to fans of the movie. (I have a pretty good track record.) This vid is the vid I wanted to make, but I won't pretend that when I decided that this track from The Knife's soundtrack to an experimental synth opera about Charles Darwin (all the lyrics on the album, as well as the title of this vid, come from his writings) was the one for the vid I didn't have some misgivings about whether the finished product would even be watchable. For me, there is for me a resonance between what these astronauts do and how and why they make their decisions and Darwin's work; in the end, they subordinate their own short lives to the goal of pushing human knowledge forward, and what happens is nobody's fault, because the humans and the native life of Europa simply can't relate to each other in any shared frame of reference: they are both driven by curiosity, but their curiosities aren't compatible. The Europa One mission is a success, though more of a failed success than a successful failure. Ad astra per aspera. One of the things I said about the movie when I first saw it is that it's the movie that Prometheus wanted to be, and in a way, this vid is founded on that interpretation. There's little more terrifying than the inhuman timescale of the cosmos, and of evolution, from a certain point of view.

Vidding-wise, this was a challenge; one problem I had was that the clips were so large that I frequently crashed Premiere while trying to watch the footage I'd laid down in the timeline. Oops. I cut the audio, but I did it using Premiere rather than Audacity, which was a frustrating mistake that I won't repeat in future. Trying to decide where to cut things and how to impose a narrative took a lot of thought and trial and error, as well as some truly hard-core non-linear editing; I actually built the vid out from the start of the vocals. To keep the momentum going I violated all precedent and did the credits in the middle of the process; whatever it took. I am, though, proud of the result, and I'm floored and very pleased that people have liked it. Last but not least, thanks to [tumblr.com profile] mrquadcopter, who beta watched it and told me not to change anything, so I didn't.

Lyrics )
starlady: Mako's face in the jaeger, in profile (mako mori is awesome)
source: Contact (1997)
audio: Dar Williams, "Are You Out There?"
length: 3:08
stream: on Critical Commons
download: 135MB mp4 on mediafire
tumblr post | AO3 page

It's been a year of space exploration movies for me, and about seven months ago I found myself on a deep dive in the Vividcon database and other places, looking for vids of the same. When I found the entry for [livejournal.com profile] thatfangirl's 2003 Contact vid Are You Out There?, and tracked down a copy, I immediately wanted to remaster the vid so that more people could see it, because it's pretty great. With [livejournal.com profile] thatfangirl's kind permission, I've at long last done my part of just that--the viewing is now up to you. With many thanks to [personal profile] eruthros for providing my copy of the original vid and to [tumblr.com profile] mrquadcopter for beta watching my original draft, and above all to [livejournal.com profile] thatfangirl, for making the vid and for letting me remaster it!


 

Embed + notes under the cut )
starlady: Peggy in her hat with her back turned under the SSR logo (agent carter)
source: Agent Carter
audio: Scott Bradlee & Postmodern Jukebox, "Timber"
length: 03:39
download: 84MB mp4 on mediafire
summary: Peggy Carter will be the one you won't forget. Or, Peggy saves the day, punches a lot of dudes, and gets the girl.
notes: Premiered today at Vidukon 2015. And many thanks to [personal profile] metatxt for beta watching!

AO3 page | tumblr post



I actually picked this song out for this vid before the show even aired--I knew I wanted to make a Peggy vid, and I knew I wanted something that sounded period-ish but had a modern sensibility, which basically meant that Scott Bradlee & Postmodern Jukebox were the first and only artist whose catalog I ransacked. Technically it's a 50s-style big band jazz cover of the female solo version (Ke$ha forever!), but then, the show itself doesn't necessarily have a strong sense of its own historical setting either. Luckily the show lived up to the lyrics, and provided me with the footage needed to make a vid about Peggy punching dudes and being a badass action hero. Punch some more dudes, Peggy!

Lyrics )
starlady: don't fuck with nurse chapel (nurses are awesome)
source: Star Trek: The Animated Series
audio: They Might Be Giants, "There's a Great Big Beautiful Tomorrow"
length: 2:01
download: 48MB mp4 | .srt subtitles
summary: Man has a dream, and that's the start: the final frontier is still out there, just a dream away.

AO3 page | tumblr post

My [community profile] wiscon_vidparty 2015 premiere.



Notes )
lyrics )
starlady: Uryuu & Ichigo reenact Scott Pilgrim (that doesn't even rhyme)
source: Gamera movies (Showa series, 1965-1980)
audio: 『Totoro』Soundtrack Medley by Neku
length: 4:05
stream: on Critical Commons
download: 92MB mp4
summary: Now begins a new adventure for you! And you'll be with Ga-me-ra, Gamera! Ga-me-ra, Gamera!

A Festivids 2014 treat for [personal profile] jetpack_monkey.

Original Festivids post. AO3 page.



Well, of course Gamera is like Totoro. )
starlady: Mako's face in the jaeger, in profile (mako mori is awesome)
source: Edge of Tomorrow | Live. Die. Repeat. (2014)
audio: Steve Aoki ft. Fall Out Boy, "Back to Earth"
length: 4:03, 154MB mp4
stream: on Critical Commons
download: 155MB mp4
summary: Are you living your life or just waiting to die?

tumblr postAO3 page

My Festivids 2014 assignment, for ohvienna. Original Festivids post.

 

Notes & lyrics )

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