The Arabian Nights.
Dec. 28th, 2010 12:46The Arabian Nights. Written and directed by Mary Zimmerman, performed by Berkeley Rep.
I went to see this because
troisroyaumes raved about it, and I'm so glad I listened, because it's truly fantastic, and it's also hilarious. I laughed so hard I cried.
I know I read excerpts from The Book of a Thousand Nights and One Night in sixth grade (as part of our focus on Islamic civilization, we also attended services at a mosque), but all I remember of the stories of Scheherazade is that "The Enormous Fart," which is one of the stories dramatized in the play, was so scandalous that we weren't allowed to read it, because of the title. Ah, middle school.
Mary Zimmerman foregrounds the violence, sex, and humor that run through the tales and their frame-story, in which Scheherazade schemes to delay her murder by her husband the king at the end of each night, beginning with the first night of their marriage, by telling him stories that always end on a cliffhanger: the king's first wife committed adultery, and after murdering her for it he swore never to trust women again, vowing to marry a virgin each night and to kill her at dawn. Scheherazade is very nearly the last virgin in the kingdom when the king commands her father to bring her to him, and with the help of her sister, she manages to delay her death for nearly three years, 1001 nights. I was impressed by the sheer physical courage of Scheherazade, and of her sister Dunezade, who accompanies her; she knowingly confronts her own death with only words for her weapon. But they're extraordinary words.
( A thousand nights and one night more. )
*crosses fingers for more revivals/productions of Mary Zimmerman's plays*
I went to see this because
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I know I read excerpts from The Book of a Thousand Nights and One Night in sixth grade (as part of our focus on Islamic civilization, we also attended services at a mosque), but all I remember of the stories of Scheherazade is that "The Enormous Fart," which is one of the stories dramatized in the play, was so scandalous that we weren't allowed to read it, because of the title. Ah, middle school.
Mary Zimmerman foregrounds the violence, sex, and humor that run through the tales and their frame-story, in which Scheherazade schemes to delay her murder by her husband the king at the end of each night, beginning with the first night of their marriage, by telling him stories that always end on a cliffhanger: the king's first wife committed adultery, and after murdering her for it he swore never to trust women again, vowing to marry a virgin each night and to kill her at dawn. Scheherazade is very nearly the last virgin in the kingdom when the king commands her father to bring her to him, and with the help of her sister, she manages to delay her death for nearly three years, 1001 nights. I was impressed by the sheer physical courage of Scheherazade, and of her sister Dunezade, who accompanies her; she knowingly confronts her own death with only words for her weapon. But they're extraordinary words.
( A thousand nights and one night more. )
*crosses fingers for more revivals/productions of Mary Zimmerman's plays*